Nantilus
Montage and modern life : 1919 - 1942 [The Institute of Contemporary Art, Boston, April 7 - June 7, 1992], [Vancouver Art Gallery, Canada, August 19 - October 18, 1992], [Les expositions du Palais des beaux-arts, Brussels, November 3, 1992 - January 3, 1993]
| Autres auteurs : | , |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Montage and modern life : 1919 - 1942 : [The Institute of Contemporary Art, Boston, April 7 - June 7, 1992], [Vancouver Art Gallery, Canada, August 19 - October 18, 1992], [Les expositions du Palais des beaux-arts, Brussels, November 3, 1992 - January 3, 1993] / exhibitions curators: Maud Lavin ... [et al.]; ed. Matthew Teitelbaum |
| Publié : |
Cambridge Mass, London, Boston :
MIT Press
, cop. 1992 Institute of Contemporary Art |
| Description matérielle : | 208 p. |
| Titre conventionnel : | Exposition. Bruxelles. Palais des beaux-arts. 1992-1993 Exposition. Vancouver. Vancouver Art Gallery. 1992 Exposition. Boston. Institute of Contemporary Art. 1992 |
| Sujets : |
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| 200 | 1 | |a Montage and modern life |b Texte imprimé |e 1919 - 1942 |e [The Institute of Contemporary Art, Boston, April 7 - June 7, 1992], [Vancouver Art Gallery, Canada, August 19 - October 18, 1992], [Les expositions du Palais des beaux-arts, Brussels, November 3, 1992 - January 3, 1993] |f exhibitions curators: Maud Lavin ... [et al.] |g ed. Matthew Teitelbaum | |
| 210 | |a Cambridge Mass |a London |c MIT Press |a Boston |c Institute of Contemporary Art |d cop. 1992 | ||
| 215 | |a 208 p. |c ill. |d 27 cm | ||
| 300 | |a Catalog of exhibition at the Institute of Contemporary Art, Boston, Ap. 7-June 7, 1992; Vancouver Art Gallery, Canada, Aug. 19-Oct. 18, 1992; Les Expositions du Palais des Beaux-Arts/De Tentoonstellingen van het Paleis voor Schone Kensten, Brussels, Nov. 3, 1992-Jan 3, 1993 | ||
| 320 | |a Bibliogr.: p. 190-204 | ||
| 359 | 2 | |p P.36 |b Photomontage, mass culture, and modernity : utopianism in the circle of new advertising designers / Maud Lavin |p P. 60 |b The wings of hypothesis : on Montage and the theory of the interval / Annette Michelson |p P. 82 |b From the politics of montage to the montage of politics : Soviet practice 1919 through 1937 / Margarita Tupitsyn |p P.128 |b "Good fences make good neighbors" : American resistance to photomontage between the wars / Sally Stein | |
| 503 | | | |a Exposition |m Bruxelles |n Palais des beaux-arts |j 1992-1993 | |
| 503 | | | |a Exposition |m Vancouver |n Vancouver Art Gallery |j 1992 | |
| 503 | | | |a Exposition |m Boston |n Institute of Contemporary Art |j 1992 | |
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