Nantilus
Montage and modern life : 1919 - 1942 [The Institute of Contemporary Art, Boston, April 7 - June 7, 1992], [Vancouver Art Gallery, Canada, August 19 - October 18, 1992], [Les expositions du Palais des beaux-arts, Brussels, November 3, 1992 - January 3, 1993]
| Autres auteurs : | , |
|---|---|
| Format : | Livre |
| Langue : | anglais |
| Titre complet : | Montage and modern life : 1919 - 1942 : [The Institute of Contemporary Art, Boston, April 7 - June 7, 1992], [Vancouver Art Gallery, Canada, August 19 - October 18, 1992], [Les expositions du Palais des beaux-arts, Brussels, November 3, 1992 - January 3, 1993] / exhibitions curators: Maud Lavin ... [et al.]; ed. Matthew Teitelbaum |
| Publié : |
Cambridge Mass, London, Boston :
MIT Press
, cop. 1992 Institute of Contemporary Art |
| Description matérielle : | 208 p. |
| Titre conventionnel : | Exposition. Bruxelles. Palais des beaux-arts. 1992-1993 Exposition. Vancouver. Vancouver Art Gallery. 1992 Exposition. Boston. Institute of Contemporary Art. 1992 |
| Sujets : |
- P.36
- Photomontage, mass culture, and modernity : utopianism in the circle of new advertising designers / Maud Lavin
- P. 60
- The wings of hypothesis : on Montage and the theory of the interval / Annette Michelson
- P. 82
- From the politics of montage to the montage of politics : Soviet practice 1919 through 1937 / Margarita Tupitsyn
- P.128
- "Good fences make good neighbors" : American resistance to photomontage between the wars / Sally Stein