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01812cam a2200421 4500 |
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PPN095980636 |
| 003 |
http://www.sudoc.fr/095980636 |
| 005 |
20240320152500.0 |
| 010 |
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|a 978-0-253-34457-1
|b rel.
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| 010 |
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|a 0-253-34457-3
|b rel.
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| 035 |
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|a (OCoLC)469800740
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|a 20060208h20042004k y0frey0103 ba
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|a eng
|2 639-2
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|a US
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|a ag a 001yy
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|a r
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| 181 |
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|6 z01
|c txt
|2 rdacontent
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|6 z01
|a i#
|b xxxe##
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|6 z01
|c n
|2 rdamedia
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|6 z01
|a n
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|6 z01
|a nga
|2 RDAfrCarrier
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1 |
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|a Musical representations, subjects, and objects
|e the construction of musical thought in Zarlino, Descartes, Rameau, and Weber
|f Jairo Moreno
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| 214 |
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|a Bloomington
|a Indianapolis
|c Indiana University Press
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|d C 2004
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|a 1 vol. (VIII-236 p.)
|c ill., mus.
|d 25 cm
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| 225 |
2 |
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|a Musical meaning and interpretation
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| 320 |
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|a Bibliogr. p. [221]-231. Index
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| 359 |
2 |
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|p P. 25
|b Zarlino: instituting knowledge in the time of correspondences
|p P. 50
|b The representation of order: perception and the early modern subject in Descartes's Compendium musicae
|p P. 85
|b The complicity of the imagination: representation, subject, and system in Rameau
|p P. 128
|b Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject
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| 410 |
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|0 091975395
|t Musical meaning and interpretation
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| 606 |
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|3 PPN027240304
|a Musique
|x Philosophie et esthétique
|2 rameau
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| 606 |
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|3 PPN028964160
|a Sémiotique et musique
|2 rameau
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| 606 |
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|3 PPN027327248
|a Théorie musicale
|2 rameau
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| 676 |
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|a 781/.1
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| 700 |
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1 |
|3 PPN096128488
|a Moreno
|b Jairo
|f 1963-....
|c musicologue
|4 070
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| 801 |
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3 |
|a FR
|b Abes
|c 20220330
|g AFNOR
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| 979 |
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|a PHILO
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| 930 |
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|5 441092107:385760647
|b 441092107
|j s
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| 998 |
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|a 577055
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