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02092nam a2200373 4500 |
001 |
PPN133400883 |
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20230131055400.0 |
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|a 978-0-8264-9526-6
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010 |
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|a 0-8264-9526-5
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|a 978-1-8470-6459-2
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|a 1-8470-6459-0
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020 |
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|a US
|b 2008026928
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020 |
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|a GB
|b A861491
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100 |
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|a 20090511d2008 u y0undy0103 ba
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101 |
0 |
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|a eng
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102 |
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|a GB
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105 |
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|a y a 001|y
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200 |
1 |
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|a Dickens and creativity
|b Texte imprimé
|f Barbara Hardy
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210 |
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|a London
|a New York
|c Continuum
|d c2008
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215 |
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|a xvi, 181 p.
|d 24 cm
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225 |
2 |
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|a Continuum literary studies
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320 |
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|a Bibliogr. p. [175]-177. Index
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327 |
1 |
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|a A career and its context
|a Dickens discusses creativity
|a The awareness of art in Sketches by Boz, Pickwick papers, Oliver Twist, Barnaby Rudge, The Old Curiosity Shop, A Christmas carol and The chimes
|a The artist as narrator in Doctor Marigold, David Copperfield, Bleak House and Great expectations
|a Talkative men and women in Pickwick papers, Nicholas Nickleby, Martin Chuzzlewit and Little Dorrit
|a Imaginative extremes, negations and norms
|a Subversions and oppositions
|a Crises of imagination in Oliver Twist, A Christmas carol, Domeby and son, Bleak house, Hard times and The lazy tour of two idle apprentices
|a Forecast and fantasy in Little Dorrit
|a Creative conversation in Hard times, Great expectations and Our mutual friend
|a Assertions of style : rhythm and repetition in A tale of two cities and Our mutual friend
|a Shakespeare in Dickens : David Copperfield and Great expectations
|a Dickens in the twentieth century
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410 |
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|t Continuum Literary Studies
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600 |
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1 |
|3 PPN026831198
|a Dickens
|b Charles
|f 1812-1870
|3 PPN028633067
|x Critique et interprétation
|2 rameau
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606 |
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|3 PPN027234673
|a Imaginaire
|3 PPN028054679
|x Dans la littérature
|2 rameau
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676 |
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|a 823/.8
|v 22
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700 |
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1 |
|3 PPN028407199
|a Hardy
|b Barbara Nathan
|f 1924-2016
|4 070
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801 |
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3 |
|a FR
|b Abes
|c 20090511
|g AFNOR
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801 |
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0 |
|b DLC
|g AACR2
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801 |
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2 |
|b UKM
|g AACR2
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930 |
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|5 441092102:374089213
|b 441092102
|j u
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|a LET
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998 |
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|a 555934
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