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02818nam a2200445 4500 |
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PPN14891053X |
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20160209033500.0 |
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|a 978-0-472-11725-3
|b rel.
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|a 0-472-11725-4
|b rel.
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|a 978-0-472-02696-8
|b ebk.
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|a 0-472-02696-8
|b ebk.
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|a US
|b 2009050344
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|a GB
|b B076672
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|a 20110104d2010 k b0frey0103 ba
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0 |
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|a eng
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|a US
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|a a a 001yy
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|a r
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200 |
1 |
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|a Bulldaggers, pansies, and chocolate babies
|b Texte imprimé
|e performance, race, and sexuality in the Harlem Renaissance
|f James F. Wilson
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210 |
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|a Ann Arbor
|c University of Michigan Press
|d cop. 2010
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215 |
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|a 1 vol. (IX-260 p.)
|c ill., couv. ill. en coul.
|d 24 cm
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225 |
0 |
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|a Triangulations: lesbian/gay/queer theater/drama/performance
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320 |
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|a Bibliogr. p. 231-248. Index
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327 |
1 |
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|a Introduction: "It's getting dark on old Broadway"
|a "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s)
|a "Harlem on my mind": New York's black belt on the Great White Way
|a "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle
|a "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters
|a "In my well of loneliness": Gladys Bentley's Bulldykin' blues
|a Conclusion: "you've seen Harlem at its best
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410 |
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|t Triangulations: lesbian/gay/queer theater/drama/performance
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606 |
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|3 PPN027220109
|a Art dramatique
|3 PPN027225488
|y États-Unis
|3 PPN027401502
|y New York (États-Unis ; État)
|3 PPN086305646
|z 20e siècle
|3 PPN02779038X
|x Histoire et critique
|2 rameau
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606 |
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|3 PPN089675762
|a Auteurs dramatiques noirs américains
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|y États-Unis
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|y New York (États-Unis ; État)
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|z 20e siècle
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|3 PPN031102891
|a Noirs américains dans les arts du spectacle
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|y New York (États-Unis ; État)
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|z 20e siècle
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|a Harlem Renaissance
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|a New York (N.Y.)
|x Quartier de Harlem
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|z 20e siècle
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|a 812/.5209896073
|v 22
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