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LEADER |
03606nam a22003253 4500 |
001 |
PPN154239267 |
005 |
20231117055600.0 |
010 |
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|a 978-0-521-19054-1
|b br.
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010 |
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|a 0-521-19054-1
|b br.
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020 |
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|a US
|b 2010040406
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100 |
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|a 20110824d2011 k y0frey0103 ba
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101 |
0 |
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|a eng
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102 |
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|a GB
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105 |
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|a a a 001yy
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106 |
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|a r
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200 |
0 |
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|a Thomas Middleton in context
|b Texte imprimé
|f edited by Suzanne Gossett
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210 |
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|a Cambridge (Royaume-Uni)
|a New York
|c Cambridge University Press
|d impr. 2011
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215 |
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|a 1 vol. (XXIX-386 p.)
|c ill.
|d 24 cm
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320 |
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|a Bibliogr. p. 355-376. Index
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327 |
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|a Machine generated contents note: Middleton timeline Tripthi Pillai; Introduction Suzanne Gossett; Part I. Middleton and the London Context: 1. Thomas Middleton, chronologer of his time Mark Hutchings; 2. Middleton's comedy and the geography of London Darryll Grantley; 3. The Puritan Widow and the spatial arts of Middleton's urban drama Andrew Gordon; 4. The populations of London Ian Munro; 5. Domestic life in Jacobean London Catherine Richardson; 6. Life and death in Middleton's London Elizabeth Furdell; 7. The city's money: made, lost, stolen, lent, invested Aaron W. Kitch; 8. Trade, work, and workers Natasha Korda; 9. Supplying the city Ceri Sullivan; 10. Celebrating the city Karen Newman; 11. Violence and the city Jennifer Low; 12. Middleton and the law Subha Mukherji; Part II. The National and International Context: 13. The court Alastair Bellany; 14. States and their pawns: political tensions from the Armada to the Thirty Years War Thomas Cogswell; 15. Religious identities Ian Archer; 16. The obsession with Spain Trudi Darby; Part III. The Theatrical Context: 17. The social cartography of Middleton's theatres Andrew Gurr; 18. The boys' plays and the boy players David Kathman; 19. The adult companies and the dynamics of commerce Roslyn L. Knutson; 20. The theatre and political control Janet Clare; 21. Music on the Jacobean stage Linda Austern; Part IV. The Context and Conditions of Authorship: 22. Middleton and 'modern use': case studies in the language of A Chaste Maid in Cheapside Sylvia Adamson with Hannah Kirby, Laurence Peacock and Elizabeth Pearl; 23. Collaboration: the shadow of Shakespeare James Bednarz; 24. Collaboration: sustained Heather Hirschfeld; 25. Collaboration: Middleton and the determination of authorship Eric Rasmussen; 26. Middleton and dramatic genre Suzanne Gossett; 27. Writing outside the theatre Alison A. Chapman; 28. Medieval remains in Middleton's writings Anke Bernau; Part V. Social and Psychological Contexts: 29. Gender and sexuality Caroline Bicks; 30. Women's life stages: maid, wife, widow (whore) Jennifer Panek; 31. Playing, disguise, and identity Farah Karim-Cooper; 32. Drugs, remedies, poisons, and the theatre Tanya Pollard; 33. Middleton and the supernatural Michael Neill; 34. 'Distracted measures': madness and theatricality in Middleton Carol Thomas Neely; Part VI. Afterlives: 35. Invisible Middleton and the bibliographical context Sonia Massai; 36. Afterlives: stages and beyond Diana E. Henderson; 37. Middleton in the cinema Pascale Aebischer; 38. Middleton's presence Simon Palfrey; Works cited
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