The scene of my selves : new work on New York School poets
Enregistré dans:
Autres auteurs : | , |
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Format : | Livre |
Langue : | anglais |
Titre complet : | The scene of my selves : new work on New York School poets / edited by Terence Diggory and Stephen Paul Miller |
Publié : |
Orono (Me.), Hanover (N.H.) :
National Poetry Foundation
, 2001 Distributed by University Press of New England |
Description matérielle : | 1 vol. (417 p.) |
Accès en ligne : |
Sommaire disponible à l'adresse
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Sujets : |
- Introduction / Terence Diggory and Stephen Paul Miller
- Community. Community "Intimate" or "Inoperative": New York School Poets and Politics from Paul Goodman to Jean-Luc Nancy / Terence Diggory
- John Ashbery. An Ashbery Primer / Thomas Lisk. The Strength of Ashbery: Narrative and Nostalgia / Albert Cook. The Demands of Reading: Mapping, Travel and Ekphrasis in the Poetry from the 1950s of John Ashbery and Elizabeth Bishop / James McCorkle
- Frank O'Hara. "I Want To Be at Least as Alive as the Vulgar": Frank O'Hara's Poetry and the Cinema / Andrew Epstein. Strange Fruit: O'Hara, Race and the Color of Time / Benjamin Friedlander. Frank O'Hara, Flaneur of New York / Susan Rosenbaum. O'Hara, Judd and Cold War Accommodation: Perceptions Equalizing Ground and Figure / Stephen Paul Miller
- Barbara Guest. The Gendered Marvelous: Barbara Guest, Surrealism and Feminist Reception / Rachel Blau DuPlessis. Becoming "a Compleat Travel Agency": Barbara Guest's Negotiations with the Fifties Feminine Mystique / Lynn Keller. Reading Barbara Guest: The View from the Nineties / Linda A. Kinnahan. Another Poet Among Painters: Barbara Guest with Grace Hartigan and Mary Abbott / Sara Lundquist
- James Schuyler. James Schuyler's "A Picnic Cantata": The Art of the Ordinary / Paul Bauschatz. James Schuyler's "Spots of Time" / Robert Thompson. "Arm the Paper Arm": Kenneth Koch's Postmodern Comedy / David Chinitz. Kenneth Koch's Poetics of Pleasure / Theodore Pelton. Kenneth Koch's "Serious Moment" / David Spurr
- Contingency. Contingency as Compositional Principle in Fifties Poetics / Charles Altieri