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Diverse perspectives in silent westerns: landscape, morality, and the Native American. Not at home on the range: women against the frontier in The Wind. "He went that-away": the comic western and Ruggles of Red Gap. Landscape and standard-setting in the 1930s western: The Big Trail and Stagecoach. Indian-fighting, nation-building, and homesteading in the A-western: Northwest Passage and The Westerner. Howard Hawks and John Wayne: Red River and El Dorado. The postwar psychological western (1946-1956): My Darling Clementine to Jubal. John Ford's later masterpieces: The Searchers and The Man Who Shot Liberty Valance. The existential and revisionist western: Comanche Station to The Wild Bunch and beyond. Eastwood and the American western: High Plains Drifter, The Outlaw Josey Wales and Unforgiven. Coda: from Lonesome Dove (1989) to Cowboys and Aliens (2011) |
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