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02246nam a2200433 4500 |
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PPN179845810 |
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http://www.sudoc.fr/179845810 |
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20240617055200.0 |
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|a 978-0-520-25866-2
|b rel.
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|a 0-520-25866-5
|b rel.
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|a US
|b 2012014955
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|a ocn785873721
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|a AU@000049092027
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|a HEBIS307374645
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|a NZ114487237
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|a UKDEL127672753
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|a UNITY127672753
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|a 20140729h20122012k |0engy0103 ba
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|a eng
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|a US
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|a a ||||001yy
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|a r
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|a Ride, boldly ride
|b Texte imprimé
|e the evolution of the American western
|f Mary Lea Bandy and Kevin Stoehr
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210 |
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|a Berkeley
|c University of California Press
|d cop. 2012
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|a 1vol. (XIV-330 p.)
|c ill.
|d 24 cm
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320 |
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|a Bibliogr. p. 301-309. Index
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|a Diverse perspectives in silent westerns: landscape, morality, and the Native American
|a Not at home on the range: women against the frontier in The Wind
|a "He went that-away": the comic western and Ruggles of Red Gap
|a Landscape and standard-setting in the 1930s western: The Big Trail and Stagecoach
|a Indian-fighting, nation-building, and homesteading in the A-western: Northwest Passage and The Westerner
|a Howard Hawks and John Wayne: Red River and El Dorado
|a The postwar psychological western (1946-1956): My Darling Clementine to Jubal
|a John Ford's later masterpieces: The Searchers and The Man Who Shot Liberty Valance
|a The existential and revisionist western: Comanche Station to The Wild Bunch and beyond
|a Eastwood and the American western: High Plains Drifter, The Outlaw Josey Wales and Unforgiven
|a Coda: from Lonesome Dove (1989) to Cowboys and Aliens (2011)
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|3 PPN027415422
|a Westerns
|3 PPN027225488
|y États-Unis
|3 PPN02779038X
|x Histoire et critique
|2 rameau
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|a États-Unis
|2 fast
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|a 791.436/278
|v 23
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|a PN1995.9.W4
|b B255 2012
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|3 PPN179845497
|a Bandy
|b Mary Lea
|4 070
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|3 PPN144321505
|a Stoehr
|b Kevin L.
|f 1967-....
|4 070
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|a FR
|b Abes
|c 20140729
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|a 666354
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